Kinoshita H - Search Results

1

Time course of blood pressure changes immediately after maximal exercise.

Nakahara H, Miyamoto T, Nakanishi Y, Kinoshita H. Nakahara H, et al. Among authors: kinoshita h. J Sports Med Phys Fitness. 2006 Dec;46(4):605-10. J Sports Med Phys Fitness. 2006. PMID: 17119527

2

Physiological role of anticipatory cardiorespiratory responses to exercise.

Miyamoto T, Sotobayashi D, Ito G, Kawai E, Nakahara H, Ueda S, Toyama T, Saku K, Nakanishi Y, Kinoshita H. Miyamoto T, et al. Among authors: kinoshita h. Physiol Rep. 2022 Mar;10(5):e15210. doi: 10.14814/phy2.15210. Physiol Rep. 2022. PMID: 35246949 Free PMC article.

3

The heart rate increase at the onset of high-work intensity exercise is accelerated by central blood volume loading.

Miyamoto T, Oshima Y, Ikuta K, Kinoshita H. Miyamoto T, et al. Among authors: kinoshita h. Eur J Appl Physiol. 2006 Jan;96(1):86-96. doi: 10.1007/s00421-005-0052-1. Epub 2005 Oct 26. Eur J Appl Physiol. 2006. PMID: 16307281

4

Emotion-related changes in heart rate and its variability during performance and perception of music.

Nakahara H, Furuya S, Obata S, Masuko T, Kinoshita H. Nakahara H, et al. Among authors: kinoshita h. Ann N Y Acad Sci. 2009 Jul;1169:359-62. doi: 10.1111/j.1749-6632.2009.04788.x. Ann N Y Acad Sci. 2009. PMID: 19673808

5

Psycho-physiological responses to expressive piano performance.

Nakahara H, Furuya S, Francis PR, Kinoshita H. Nakahara H, et al. Among authors: kinoshita h. Int J Psychophysiol. 2010 Mar;75(3):268-76. doi: 10.1016/j.ijpsycho.2009.12.008. Epub 2009 Dec 16. Int J Psychophysiol. 2010. PMID: 20025907

6

Performing music can induce greater modulation of emotion-related psychophysiological responses than listening to music.

Nakahara H, Furuya S, Masuko T, Francis PR, Kinoshita H. Nakahara H, et al. Among authors: kinoshita h. Int J Psychophysiol. 2011 Sep;81(3):152-8. doi: 10.1016/j.ijpsycho.2011.06.003. Epub 2011 Jun 24. Int J Psychophysiol. 2011. PMID: 21704661

7

Individual differences in the biomechanical effect of loudness and tempo on upper-limb movements during repetitive piano keystrokes.

Furuya S, Aoki T, Nakahara H, Kinoshita H. Furuya S, et al. Among authors: kinoshita h. Hum Mov Sci. 2012 Feb;31(1):26-39. doi: 10.1016/j.humov.2011.01.002. Epub 2011 Aug 3. Hum Mov Sci. 2012. PMID: 21816497

8

Left hand finger force in violin playing: tempo, loudness, and finger differences.

Kinoshita H, Obata S. Kinoshita H, et al. J Acoust Soc Am. 2009 Jul;126(1):388-95. doi: 10.1121/1.3139908. J Acoust Soc Am. 2009. PMID: 19603895

9

Chin force in violin playing.

Obata S, Kinoshita H. Obata S, et al. Among authors: kinoshita h. Eur J Appl Physiol. 2012 Jun;112(6):2085-95. doi: 10.1007/s00421-011-2178-7. Epub 2011 Sep 28. Eur J Appl Physiol. 2012. PMID: 21952980

10

Control of Precision Grip Force in Lifting and Holding of Low-Mass Objects.

Hiramatsu Y, Kimura D, Kadota K, Ito T, Kinoshita H. Hiramatsu Y, et al. Among authors: kinoshita h. PLoS One. 2015 Sep 16;10(9):e0138506. doi: 10.1371/journal.pone.0138506. eCollection 2015. PLoS One. 2015. PMID: 26376484 Free PMC article.

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